|
|
Amit Chaudhuri was born in Calcutta
in 1962, and grew up in Bombay. He read English
at University College, London, where he took
his BA with First Class Honours, and completed
his doctorate on critical theory and the poetry
of D.H. Lawrence at Balliol College, Oxford,
where he was a Dervorguilla Scholar. He was
Creative Arts Fellow at Wolfson College, Oxford,
from 1992-95, and Leverhulme Special Research
Fellow at the Faculty of English, Cambridge
University, until April 1999, where he taught
the Commonwealth and International Literatures
paper of the English Tripos. He was on the faculty
of the School of the Arts, Columbia University,
for the Fall semester, 2002. He was appointed
Samuel Fischer Guest Professor of Literature
at Free University, Berlin, for the winter term
2005. He is now Professor in Contemporary Literature
at the University of East Anglia.
His criticism and fiction have appeared regularly
in most of the major journals in the world,
including the London Review of Books,
the Times Literary Supplement, the Observer,
the Spectator, Granta, the New
Republic, and the New Yorker. A short
film was made about him by the BBC for their
‘India Week’ on the Late Show.
He was one of the London Observer’s
Twenty One writers for the Millennium, and one
of India Today’s ‘Faces of
the Millennium’. He was one of the judges
for the Geoffrey Faber Memorial Prize, and judged
the IMPAC Dublin International Literary Prize
2001.
He
has written four novels. The first, A Strange
and Sublime Address, published in 1991,
won the first prize in the Society of Authors’
Betty Trask Awards for a first novel and the
Commonwealth Writers Prize for Best First Book
(Eurasia). The second, Afternoon Raag
(1993), won the Society of Authors’ Encore
Prize for best second novel and the Southern
Arts Literature Prize. Both books were shortlisted
for the Guardian Fiction Prize. His third
novel, Freedom Song, appeared in 1998.
All three novels were published in a single
omnibus volume, Freedom Song: Three Novels,
by Knopf in America in 1999. This omnibus volume
was a New York Times Notable Book of
the Year, and an Independent bestseller in America;
it was awarded the Los Angeles Times
Book Award for Fiction, 2000, and was one of
the New York Public Library’s 25 Books
to Remember, 2000. His fourth novel, A New
World, won the Sahitya Akademi award 2002,
India’s highest literary honour for a
single book. His writing has been translated
into several languages. He is the editor of
the Picador Book of Modern Indian Literature,
which was also published in the US by Vintage
in September 2004. His book of short stories,
Real Time, was published in 2002 by Farrar,
Straus and Giroux in the U.S.A, and in Britain
and India by Picador. His dissertation on D.H.Lawrence,
D.H.Lawrence and ‘Difference’:
Postcoloniality and the Poetry of the Present,
appeared to critical acclaim from the Clarendon
Press, Oxford, in June 2003, with an introduction
by the renowned Irish poet-critic, Tom Paulin,
who called it a ‘classic’. Terry
Eagleton, in the London Review of Books,
called it ‘probably the single best study
of Lawrence’s poetry to date’. A
book of poetry, St Cyril Road and other poems,
was published by Penguin India in 2005.
He
has given lectures and readings at various universities
and institutions, including Oxford, Cambridge,
the School of Oriental and African Studies,
London, the Department of English and Comparative
Literature, Columbia University, the University
of California, Berkeley, UC Santa Cruz, Wellesley
College, the University of Chicago, Penn State
University, and Emory University.
|
|
|
A Note on the Music
Amit
Chaudhuri is a trained and critically
acclaimed singer in the North Indian classical
tradition; he has received high praise
for his singing from various newspapers
and journals, including the Times of
India, the Hindustan Times,
Ananda Bazar Patrika and India
Today. He learned singing from his
mother, the well-known exponent of Tagore
songs and devotionals, Bijoya Chaudhuri,
and, extensively, from the late Pandit
Govind Prasad Jaipurwale of the Kunwar
Shyam gharana. He was then guided in Hindustani
music by Pandit A. Kanan. He has performed
at several venues, including the National
Centre of Performing Arts, the Nehru Centre,
and the World Social Forum, Bombay; the
India International Centre and the India
Habitat Centre, Delhi; the Dover Lane
Music Circle, the Sangeet Research Academy,
the Bhowanipore Sangeet Sammelan, the
Seagull Arts and Media Resource Centre,
the CIMA art gallery, and the Raj Bhavan,
all in Calcutta; the Film and Television
Institute of India, Pune; the Bengal Foundation,
Dhaka; the Bharatiya Vidya Bhavan and
the Nehru Centre, London; at the California
Institute for Integrated Studies, San
Francisco and at Columbia University,
New York. HMV has released two cassettes
of his singing, and recently brought out
a selection of the khayals he’s
sung on CD.
In
2004, he began to conceptualise a project
in experimental music, ‘This is
Not Fusion,’ which received great
critical acclaim and an overwhelming response
from the audience upon its inaugural performance
in Calcutta on January 15, 2005. Since
then, it has travelled to the ‘Building
Bridges: 60 Years of the UN’ concerts
in Delhi, to the Indian Embassy and the
Museum of Indian Art, Berlin, the theatreschauspiele,
Frankfurt, the Lille 3000 Festival in
France, the School of Music, University
of East Anglia, Norwich, the British Museum,
London, and the Palais de Bozar in Brussels.
The CD of This is
Not Fusion was released by Times Music
in February 2007.
|
|